New JHS PackRat Distortion Guitar Effects Pedal

New JHS PackRat Distortion Guitar Effects Pedal
New JHS PackRat Distortion Guitar Effects Pedal
New JHS PackRat Distortion Guitar Effects Pedal
New JHS PackRat Distortion Guitar Effects Pedal

New JHS PackRat Distortion Guitar Effects Pedal
New JHS PackRat Distortion Guitar Effects Pedal. This item is new, in box. In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI: the Proco RAT. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the mainstream product lines like MXR, DOD and BOSS. They wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history. The PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). Let’s take a look at the controls. The operation of the PackRat is about as simple as it gets. The “Volume” control adjusts the overall volume of the pedal. The “Distortion” control lets you raise and lower the amount of gain or distortion that the circuit produces, and the “Filter” control allows you to brighten and darken the sound of the overall effect. This is effectively a simple, low-pass filter. Lastly, we have “Mode” control. This is a stepped pot that clicks into place as you scroll through the nine legendary versions of this circuit. As you change the mode, the analog circuitry is rewired, resulting in brand new values of resistors, capacitors, diodes and op amps. Although I’ve put several years of research into the history, circuit topology and version history of the RAT, I know that my findings may still ruffle some feathers. I’m okay with that. I have tracked down 45 different RAT specimens for study, and I’ve interviewed numerous ProCo employees about the circuit design, evolution and production of this pedal series over the decades. A lot of the widely accepted “facts” about the differences in RAT versions, including some of my own beliefs, were wrong. Most assumptions about how specific RAT models sound different or better than the rest are, at best, misinformed. Generally speaking, they’re flat-out incorrect. To find the facts and give this circuit the proper understanding it deserves, every RAT model ever made (and quite a few prototypes that never saw the light of day) were obtained and studied in great detail. I wanted to understand the exact production differences over the years, so we disassembled the units, analyzed them using state-of-the-art Audio Precision equipment, measured individual components, built comparison charts, traced each circuit and closely examined the branding, logos and other identifiers of change. As far as I know, no one has ever gotten close to the level of research that we performed between 2018 and 2021. Even ProCo’s own history timeline was missing tons of details about the RAT variations that have been made over the past 40 years. There’s a reason for that. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and in doing so, many pedals were made with parts pulled from backstock at least two to three years older than the actual pedal being dated. In short, this means that you’ll see V1s, V2s, V3s with dates that overlap with each other’s true production years. Combine this with decades of people incorrectly “remembering” what RAT model sounds the best, and you have a historically inaccurate hot mess on your hands. To properly build an accurate timeline and database of changes, I dated the pot codes of 40+ vintage units, dated their components when possible, interviewed respective people involved in the eras of production and referenced over 1,000 online sales photographs. I did everything possible to build an airtight case for my work and to not rely on any prior dates and timelines seen online. The results may not be perfect, but they’re pretty darn close. The OG mode is a perfect recreation of the first production RATs ever made. This era of roughly four years covers what is referred to historically as the V1 and V2 models. V1s are also known as the “Fringe Logo” model and can be identified by the letters RAT being in all capital letters with a slight fringe graphic coming from the typeface. The V1 also has small silver capped knobs and a “Tone” knob instead of the more familiar and later produced V2 “Filter” control labeling. From a circuitry standpoint, the V1 and V2 “Big Box” models are practically identical except that the V1’s “Tone” control increases treble as you turn clockwise while the V2’s “Filter” control decreases treble in that direction. When switching to the OG mode, you are activating the exact circuitry of my 1979 V1 model, including the accurate “Tone” control rotation and taper. Let me take a moment here to clarify: the V1 and V2 models are the exact same circuit, and simple adjustments to the “Tone/Filter” control can achieve identical sounds from each unit. I know that the super nerds are going to ask why we didn’t include a “Bud Box” mode. Basically, I’d consider the “Bud Box” RAT to be a V1/V2, because it is almost identical other than having buffered bypass and two extra resistors in the signal path. In 1984, the RAT transitioned into a smaller “square” enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle; this model gained the “White Face RAT” nickname due to this aesthetic. In 1986, this same model had a logo change that simply inverted the white and black colors, resulting in the more familiar white rectangle outline and font on the black enclosure. This “White Face” model has gained a reputation as one of the holy grail RATs, and it even spawned a reissue in the nineties. The irony is that it is the same exact circuit as the previous “Big Box” V2 and the following “non-white logo” 1986 V4, as well as the 1988 V5 LED Version. ” The “White Face V3 update was purely cosmetic (some V2s and V3s share the exact same circuit board). ProCo knew that the world wanted smaller pedals in the wake of brands like BOSS, DOD and Ibanez gaining more and more market share, and they wisely cashed in on the trend. With this said, why would I put this particular version in my PackRat if it is not any different than the OG? For one, nostalgia is a powerful thing, and secondly, this mode will switch to a tapered “Filter” control with an entirely different feel. Like you, I want to believe in magic models of my favorite pedals, but sometimes the magic is just because we like the look or the user experience of one version over the other. It’s okay to admit that and move on. The heart of the RAT’s tone comes from a design technique called Symmetrical Hard Clipping. In this approach, a simple amplifier circuit amplifies the guitar’s signal and pushes it across a pair of clipping diodes. The result is that these diodes clip off the top of the waveform of the guitar and create a type of square wave distortion. Every RAT until 1989 utilized a typical silicon diode, just like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs (Light Emitting Diodes). Yup, these are the same LEDs you see in flashlights, your car’s dashboard, DVD players and almost every other electronic device on earth. This technique was a first in pedals (the same clipping style was used in the Marshall Guv’nor) and offered a completely new RAT experience. The silicon diodes in previous versions have a lower forward voltage, resulting in a faster and more extreme clipping of the waveform. You could say this type of diode creates a very saturated tone. The Turbo’s LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the point where they will “cut off” the waveform, which causes the phenomenon we know as Touch Sensitivity. You can set the Distortion lower, and as you play lightly, you will have an overdrive tone; dig into your guitar and play hard, and hear more clipping/distortion. It is also worth noting that this model was the first RAT that offered the sloped enclosure that we see today. It also featured the new on/off status LED that had made its debut one year earlier in the 1988 RAT 2 / V5. In 1997 ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive, Roadkill. These two identical circuits with different and “very nineties” grunge aesthetics have the most changes so far in the evolution of this legendary circuit. First off, the BRAT added an input buffer circuit and soft clipping (inside the loop of the op amp) on top of the standard hard clipping of the previous RATs. We also see a return to the opposite taper/rotation “Filter” control and several capacitor value changes that alter the frequency response and characteristics of the distortion. In 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology: “Clean RAT” mode and Dirty RAT. ” Due to the popularity of the “Dirty RAT” mode, they released a single pedal called “You Dirty RAT that featured that single setting in a standard sloped RAT enclosure. This circuit utilizes germanium diodes in the symmetrical hard clipping section of the circuit. This technique gives the most saturation and waveform clip-off of any version ever made. In addition to the diode changes, this model has several different capacitor value changes resulting in a different distortion character and feel. In 1986, Ibanez released the “10 Series” line of pedals that included three RAT style pedals. The “Super Product” and “Fat Cat” held the position of accurate and traditional RAT style pedals, while the quirkier “LA Metal” was, in my opinion, one of the best-modified RAT circuits of the eighties. It includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes at all. The distortion is produced by overloading or “clipping the rails” of the op amp. I don’t play LA Metal, and I’m guessing you don’t either, but I promise you will love this mode! Each one painted with a unique swirl paint job and wired point to point; John’s pedals were and still are the true definition of boutique and gained a reputation for sounding amazing. His most popular pedal was the Landgraff Dynamic Overdrive, a take on the Ibanez Tubescreamer, but my favorite was his distortion pedal that he called the “MO’D, ” a distant cousin of the RAT and a really fantastic pedal in its own right. We talked about the circuit, his love for RATs and his clever take on the circuit. That pedal was called the Wave Cannon and when I started the PackRat project, it was obvious that Philippe was the friend I should bring along for the ride. In 2003 I managed a tiny guitar shop in Northwest Alabama. One day a man walked in with a vintage “small-box” RAT and said he wanted to sell it. When the shop’s owner said he wasn’t interested, I said I was. That pedal stayed on my board for a decade, and when I started modifying and building pedals in 2007, I opened it up, learned the circuit and modded it to reflect a different kind of sound. The JHS Mode lets me keep what makes the RAT unique and add in a few of my personal favorite mods. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “citymusicsteve” and is located in this country: US. This item can be shipped worldwide.
  • MPN: PackRat
  • Country/Region of Manufacture: United States
  • Custom Bundle: No
  • UPC: 0650415212408
  • Brand: JHS
  • Type: Distortion, Overdrive
  • Analog/Digital: Analog
  • Model: PackRat
  • To Fit: Acoustic Guitar, Cigar Box Guitar, Resonator Guitar, Lap & Pedal Steel Guitar, Acoustic Electric Guitar, Electric Guitar, Bass Guitar, Travel Guitar, Classical Guitar

New JHS PackRat Distortion Guitar Effects Pedal

Boss GT-1 Guitar Effects Processor

Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor

Boss GT-1 Guitar Effects Processor
Boss GT-1 Guitar Effects Processor. PREMIUM TONE FOR PLAYERS ON THE GO Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package. Premium BOSS sound engine squeezed into a light and compact floor unit. Modern design with no hard edges enables safe transport in a guitar bag. Easy Select and Easy Edit functions for quickly choosing and tweaking patches. Four AA batteries provide up to seven hours of playing time for busking and mobile gigs. Onboard control switch and expression pedal; footswitch/expression pedal jack and USB. Download ready-to-play pro patches for free at BOSS Tone Central. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Multi-Effects”. The seller is “backwoods_guitar” and is located in this country: US. This item can be shipped to United States.
  • UPC: 0642892769179
  • EAN: 0642892769179
  • Brand: Boss
  • Type: Processor
  • Model: GT-1
  • MPN: GT-1
  • To Fit: Acoustic Electric Guitar, Electric Guitar

Boss GT-1 Guitar Effects Processor

New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal

New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal

New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal
New Wampler Brad Paisley Paisley Drive Overdrive Guitar Effects Pedal. This item is new, in box. Since late 2009, we discovered that Brad Paisley was using Wampler Pedals. He started with the Faux AnalogEcho, then got an Ego Compressor and then had the Underdog overdrive. Everything was great until his tech at the time, Chad, mentioned to Brian that Brad still was not quite settled on the overdrive sound he was getting from his live rig. Could Wampler maybe look at making a pedal. ? Brads requirements were quite “simple”. It needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh. But please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal… Over a period of months, Brian made some circuits and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when official “proto #2″ landed it went straight into the live rack and out on the H20 world tour. The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned. We actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I’ve got and compared the sound of the distortion and it was very, very similar. And that’s a very good test because any time a pedal can mimic a great overdriven amp then you’re on to something… This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “citymusicsteve” and is located in this country: US. This item can be shipped to United States.
  • Brand: Wampler
  • Type: Overdrive
  • Custom Bundle: Yes
  • Model: Paisley Drive
  • Analog/Digital: Analog
  • UPC: 763815129150
  • MPN: Paisley Drive
  • To Fit: Electric Guitar

New Wampler Brad Paisley Signature Paisley Drive Overdrive Guitar Effects Pedal

New Keeley Oxblood Overdrive Guitar Effects Pedal

New Keeley Oxblood Overdrive Guitar Effects Pedal
New Keeley Oxblood Overdrive Guitar Effects Pedal

New Keeley Oxblood Overdrive Guitar Effects Pedal
New Keeley Oxblood Overdrive Guitar Effects Pedal. This item is new, in box. The New Voice of Rock and Roll. When inspiration hits, you need the voice to proclaim it. When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden. The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that lets players blend from perfectly clean to amp-crushing roar. We wanted that impossibly huge and focused midrange that makes any guitar-Strat, Paul, Tele-sound incredible. We knew we could do it our way and offer you more tone. So we designed this pedal over the course of a few days to outdo the old pedal. Clean, Distortion, Fuzz – It’s All There. With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana. The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood. These diodes were chosen to give you bigger, more open amp tones without a lot of compression. The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters. The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving. The bass response, when cut, is saturated with a hint of 2nd order harmonics. Punchy and full yet not overbearing, it cuts like a buffalo. What can I say? Sometimes there just ain’t enough gain in the world. Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief. You need to be able to dial in the highs perfectly or nothing else matters, right? The highs are what make it ear candy or ice picks. Heck, we give you the range to do whatever the heck you want to do. And that’s a two-heck sentence. You have to be able to put the pedal to the metal whenever you darn well chose. Voltage doubling in our circuit gives you just that. Slay an amp, leave it a bloody mess. No, you won’t blow tubes, but you will have them at the right temperature to make them glow with delight. You want me to describe Drive? Shoot, from Is it ON? Cleans to searing sustain and saturation. Compels you to play. Didn’t I say 5? Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood. It’s masterful creation of sultry mids. The kind of mids singers or cellos are known for. Not just a woman tone, but a manly roar. Not congested and stuffed up. The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman. Jack Orman has been a pioneer in the modern world of effects for 20 years. His thoughts and ideas are incorporated by nearly every boutique builder out there. Here is your chance to hear a brand new creation designed to outperform any of the clones. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “citymusicsteve” and is located in this country: US. This item can be shipped worldwide.
  • Model: Keeley Oxblood Overdrive
  • To Fit: Bass Guitar, Electric Guitar
  • MPN: Oxblood
  • Custom Bundle: No
  • Analog/Digital: Analog
  • Brand: Keeley
  • Type: Overdrive
  • UPC: 854295005390

New Keeley Oxblood Overdrive Guitar Effects Pedal

New One Control Lingonberry Overdrive Guitar Effects Pedal

New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal

New One Control Lingonberry Overdrive Guitar Effects Pedal
New One Control Lingonberry Overdrive Guitar Effects Pedal. This item is new, in box! The Lingonberry Overdrive inherits the characteristics of the original Strawberry Red Overdrive, however, it produces a stronger distortion and a low cut trim pot has been installed. Additionally, lower-end frequencies are more predominant. In order to make these changes, BJF has reduced the signal necessary to obtain the perfect amount of distortion and compression. Drive voltage: 9 V. Current consumption: 4 mA. S / N ratio: -86 dB. Size: 39 W x 100 D x 31 H mm (not including projections). 47 W x 100 D x 48 H mm (including projections). Weight: Approximately 160 g. High Quality Aluminum Enclosure. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “citymusicsteve” and is located in this country: US. This item can be shipped worldwide.
  • Model: Lingonberry Overdrive
  • To Fit: Acoustic Electric Guitar, Acoustic Guitar, Bass Guitar, Cigar Box Guitar, Classical Guitar, Electric Guitar, Lap & Pedal Steel Guitar, Resonator Guitar, Travel Guitar
  • MPN: Lingonberry Overdrive
  • Custom Bundle: Yes
  • Analog/Digital: Analog
  • Brand: One Control
  • Type: Overdrive
  • Bundle Description: Two Hosa metal patch cables (IRG-100.5) and a Hosa 10 foot Pro guitar cable
  • UPC: 818996012392

New One Control Lingonberry Overdrive Guitar Effects Pedal

Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal

Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal

Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal
Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal. Used for demonstration purposes only. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “gearspot_888″ and is located in this country: US. This item can be shipped to United States.
  • Brand: Vertex
  • Type: Overdrive
  • Model: Ultra Phonix HRM
  • Analog/Digital: Analog
  • MPN: Ultraphonix HRM
  • To Fit: Electric Guitar

Vertex Effects Ultraphonix HRM Overdrive Guitar Effects Pedal

Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP

Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP
Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP
Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP
Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP
Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP

Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP
Warm Audio Jet Phaser Guitar Effects Pedal. It may be missing its original packaging or inserts or show very slight signs of use. The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of david gilmour, brian may and eddie van halen to the trail-blazing keyboard stylings of steely dan, herbie hancock and paul simon’s richard tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer larry graham as the core of his modulated sound with both sly and the family stone and his own graham central station. The warm audio jet phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! The jet phaser contains six modes, with two labeled phase and four labeled jet. The two phase modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four jet modes engage the jet (or fuzz) effect, and that’s when things get seriously fun! There are four fuzz/phase combinations. Dark fuzz/deep phase when. When the jet modes are active, the pedal’s output level is controlled by the jet level knob. This enables you to set up the jet modes as a boost, if desired-which could be perfect for solos! The jet phaser also features a resonance control that’s available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the slow rate knob allows you to set the main modulation speed, but hitting the fast/slow foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the jet phaser can actually get “in-between” speeds by continuously hitting the fast/slow foot switch as organ players do! The jet phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18v gives it high headroom and pristine audio quality (it can be powered with the included 18vdc adapter or two 9v batteries). We already know it’ll sound great on guitar, bass, and keys, but don’t let that stop you from slapping it on a vocal track or a drum bus – use your imagination! Warm Audio Jet Phaser Guitar Effects Pedal Features. Faithful recreation of the original “jet” phase circuit. Uses premium components throughout, including carbon film resistors and film capacitors. Six modes: jet (1-4), phase (1-2). Effect/normal and fast/slow foot switches. Jet level, mode, resonance, and slow rate knobs. Gradual rate change when fast/slow switch is pressed, simulating a rotary cab. 1/4 input and output jacks. Rugged steel chassis with attractive wooden side panels. Powered by two 9v batteries or 18v dc adapter (included). Prymaxe is a family owned and operated business created by musicians, for musicians. What started out as a small vintage guitar store in New Jersey has quickly become the go-to online shop for musicians all over the world. With the largest selection of in stock effects anywhere and an ever-growing offering of the finest guitars and amps, Prymaxe is truly a one-stop shop for all of your tone needs. Whether you’re a seasoned touring musician or just beginning your quest for the perfect tone we’re here to help you every step of the way. When you place an order at Prymaxe, you can rest assured that your item will be carefully packaged. If you need an order immediately, please let us know and we’ll try our best to accommodate your request. If an item is not received by us within the 30-day window, the package will be refused. Demo (Like New/Gently Used/Open Box) items must come back in the same condition they were sent to you, with all included materials, if applicable. Our 30-Day Satisfaction Guarantee covers brand new and demo (like new/gently used) products only — it does not cover used and clearance products (see below). It also does not cover items in the What is NOT Returnable list below. All Used and Vintage items come with a 48 hour approval period. What is NOT Returnable. Accessories this contains all pickups, strings, picks, pedalboards, tuners, etc. Clearance Items (Clearance items are clearly marked with “CLEARANCE” in the title) Special/Custom Orders. Please do not write on or attach tape or labels to the product box — use a packing box to return the product. Please include the required return form in the box. What if I receive a defective or incorrect item? If the item was damaged due to user fault or error. When will I get my replacement item? If it does not arrive within 30 days, we will refuse the package. Why was my return refused? There are a number of reasons your package could be refused by us, including. It was a new/demo item received outside of the 30-day window. It was a clearance, accessory, or other non-returnable item. The item shows signs of wear. Products that malfunction under normal use. What is NOT covered. Used (non-demo), vintage, and clearance products. Items with clear signs of abuse (up to Prymaxe’s discretion). We reserve the right to end this promotion at any time. Professional Packaging: We’ve sent over 100,000 packages all around the world and pack each order with the buyers best interests in mind. Demo Videos: Our in-depth video product demonstrations bring our showroom in to your living room. To thoroughly show what a product can do, we demonstrate it in both a live band situation and by itself in full HD quality. These demos are an invaluable resource while searching for the perfect piece of gear that will flawlessly work with your setup. 60 Day Price Match Guarantee: No one beats a Prymaxe deal and we will never lose a sale due to price. If another authorized dealer has the product you’re looking for listed for less we’ll beat that price, no questions asked! After the sale you are guaranteed to have the lowest listed price on the internet for 60 days. International Customer Care: We love and truly appreciate all of our International customers. Also, we are here to assist you with any special requests you may have and offer special bulk pricing for larger orders. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “prymaxevintage” and is located in this country: US. This item can be shipped to United States.
  • Brand: Warm Audio
  • MPN: Jet Phaser
  • Type: Effects Pedal
  • UPC: 850016400550

Warm Audio Jet Phaser Guitar Effects Pedal FREE 2-3 DAY SHIP

BOSS GX-100 Guitar Effects Processor BONUS PAK

BOSS GX-100 Guitar Effects Processor BONUS PAK
BOSS GX-100 Guitar Effects Processor BONUS PAK
BOSS GX-100 Guitar Effects Processor BONUS PAK
BOSS GX-100 Guitar Effects Processor BONUS PAK

BOSS GX-100 Guitar Effects Processor BONUS PAK
BOSS GX-100 Guitar Effects Processor BONUS PAK. Backed by 45-Day Guarantee. Trusted Resource for 35 years with thousands of positive reviews. Knowledgeable and friendly Sales Advisors at the ready. Staffed by musicians who understand your needs. Our service doesn’t end with the sale either. What’s included in this bundle. BOSS GX-100 Guitar Effects Processor – QTY 1 Fusing advanced BOSS tone technologies into a sleek, ultra-modern hardware design, the inspiring GX-100 delivers top-level performance everywhere you play. Explore 23 AIRD amplifiers and over 150 effects derived from the flagship GT-1000, and craft great sounds in seconds with the intuitive color touch display. Up to 15 simultaneous effect blocks provide unlimited tone possibilities, coupled with deep real-time command via onboard footswitches, an expression pedal, and external control support. Audio-Technica ATH-T22 Dynamic Stereo Headphones – QTY 1 Whether you’re practicing on your digital piano, mixing your latest recording, or rocking out with your electronic drum kit, these comfortable, over-ear headphones will provide quality sound. Enjoy music at any time without disturbing your neighbors! Kraft Music Instrument Cable by Strukture – 10′ – QTY 1 This instrument cable has a metal headshell and spring-steel strain relief, a great addition to this exclusive offer. You can then reorder with the correct address. Here are few other details we want to share with you when ordering with Kraft Music. Non-Returnable Items – Headphones/microphones or any other product where hygiene is a concern, software, books/videos/CDs/DVDs, opened guitar strings or polish, and used drum sticks. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Multi-Effects”. The seller is “kraftmusic” and is located in this country: US. This item can be shipped to United States.
  • Brand: Boss
  • Type: Multi-Effects
  • Model: GX-100 Guitar Effects Processor
  • MPN: GX-100

BOSS GX-100 Guitar Effects Processor BONUS PAK

New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal

New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal
New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal
New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal
New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal
New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal

New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal
New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal. This item is new, in box! As one of the leading innovators in pedalboard technology, One Control continues to listen to the working studio and performance professionals like guitarist Josh Smith. The One Control SSL unit was created by his request for a MIDI controlled stereo loop pedal to help tame his rig. Let’s let Josh explain the design philosophy behind the SSL. ONE CONTROL has once again solved a problem that guitar players didn’t know they had. I went looking for a single MIDI switchable stereo loop only to realize IT DIDN’T EXIST. When I reached out to ONE CONTROL, they realized it as well. This is an incredibly useful tool that I know many guitar players will need. They are all only mono loops. The One Control SSL enables me to put stereo pedals after them and still control bypass via MIDI, having those pedals out of the signal path when not being used. I couldn’t believe that no other company had made this yet. It accepts both mono and stereo input. I have it on one of my boards after the Morningstar ML5 with a Line 6 H9 in its loop. I have two on another board after a Voodoo Lab Hex with another Line 6 H9 and a Poly Digit in their loops. Once again, One Control is the solution to what serious players like Josh require in their touring and studio pedalboard needs. Check out the SSL for a MIDI controllable true stereo loop! The One Control SSL was created to be the smallest stereo 1 loop switcher controlled by MIDI. The SSL provides a simple method to expand pedals with a midi controller/switcher. The side encode switch allows users to assign midi channel 1 through 4 to the loop and the relay-based design ensures minimum signal loss. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Other Guitar Effects Pedals”. The seller is “citymusicsteve” and is located in this country: US. This item can be shipped worldwide.
  • Brand: One Control
  • Type: MIDI Solo Stereo Loop
  • Bundle Description: Two Hosa metal patch cables (IRG-100.5) and a Hosa 10 foot Pro guitar cable
  • Custom Bundle: Yes
  • Model: MIDI Solo Stereo Loop
  • MPN: OC-M-SSL-JS
  • To Fit: Electric Guitar
  • UPC: 818996013245

New One Control MIDI Solo Stereo Loop Josh Smith Guitar Effects Pedal